“Fixed camera, central fisheye lens peering down through a circular opening. Reference the fisheye lens from @video1, have the horse from @video2 look up at the fisheye lens, reference the talking motion from @video1, and use the background music from @video3.”

“Based on the provided office building promotional photos, generate a 15-second cinematic documentary in realistic style, using 2.35:1 widescreen, 24fps, with refined visual quality. The narrator's voice references @video1. Film 'the ecosystem of the office building,' showcasing different businesses operating within, with narration explaining how the building becomes a vibrant commercial ecosystem.”

“Use @image1 as reference material. A roast segment in the 'Cat & Dog Talk Show' studio, rich with emotion in stand-up comedy style: Meow-chan (cat host, grooming and eye-rolling): "Who can even relate — this guy next to me does nothing but wag his tail, destroy the sofa, and con humans out of snacks with those 'I'm such a good boy, pet me' eyes. He's the fiercest when wrecking the house, yet has the audacity to be called 'Lucky' — more like 'Wrecky' hahaha." Lucky (dog host, tilting head and wagging tail): "You're one to talk! You sleep 18 hours a day, wake up just to rub against humans' legs begging for canned food. You shed so much that all their black clothes are covered in your fur. They finish sweeping and you just”

“Use @image1 as reference material. The Yu Opera classic 'The Case of Chen Shimei' accompaniment begins. Judge Bao in black on the left points at Chen Shimei in red on the right, singing through gritted teeth: 'Blade to sheath — with solid evidence, dare you not confess?' Chen Shimei's eyes dart nervously left and right, searching for an escape, his expression utterly distressed. Then, from off-screen comes a Yu Opera female role's spoken line: 'Hold on!' Bao and Chen Shimei both turn to look to the right of the frame.”

“Use @image1 as reference material. Generate a 15-second music video. Keywords: steady composition / gentle push-pull / low-angle heroic feel / documentary yet premium. Ultra-wide establishing shot, low camera with slight upward tilt, cliff dirt road and vintage travel van occupying the lower third of the frame. Distant ocean and horizon creating depth, sunset side-backlight volumetric rays cutting through dust particles, cinematic composition, authentic film grain, gentle breeze rustling clothing.”

“0-3s: Alarm clock rings, the scene appears hazy with the opening frame. 3-10s: Quick pan to a close-up of the man's face across the bed. He helplessly tries to wake the girl, his tone and voice referencing @video1. 10-12s: The girl pouts and hides under the covers. 12-15s: Cut to full shot of the man as he sighs and says: 'You're really impossible!'”

“The monkey from @image1 walks toward the milk tea shop counter, camera tracking behind him. A Bichon Frise server from @image2 is wiping tools at the bar. The monkey orders in a Sichuan accent: 'Hey miss, do you have Farewell My Concubine?' Cut to close-up. The server sets down her work, gives him a puzzled look and replies: 'No, how about an Americano?' Cut to the monkey. He scratches his head and mutters: 'It's fine...? No, it's not fine! My grandkid sent me to buy milk tea, something called Farewell My Concubine.'”

“In an educational documentary style and tone, narrate the content from @image1: the story of Sun Wukong traveling to Emerald Cloud Mountain to borrow the Banana Leaf Fan from Princess Iron Fan to cross the Flaming Mountains. Princess Iron Fan refuses and seeks revenge because Wukong previously subdued her son Red Boy, who was taken by Guanyin as a disciple, separating mother and son. Wukong's attempts at persuasion fail, and the two break into a quarrel.”