Seedance 2.0 Inspiration Gallery

“Use @image1, @video1 as reference material. Replicate the camera work and scene-transition rhythm from the reference video, using the red supercar from the reference image. A cinematic commercial with smooth tracking shots and dynamic scene transitions.”

“Use @image1, @image2, @video1 as reference material. A man trapped in an elevator. Hitchcock dolly zoom during the moment of terror, then orbital shots revealing the elevator interior. Elevator doors open, tracking shot following him out.”

“Use @image1, @video1 as reference material. Stage dance performance replicating choreography and camera work from the reference video, with energetic rhythmic push-pull-pan-tilt movements.”

“Use @image1, @image2, @video1 as reference material. A spectacular fight scene under a starry night. White dust rises during combat, with orbital camera language and dynamic choreography.”

“Use @image1 as reference material. Period drama trailer with persistent character identity across modern and ancient settings. The male lead holds up a basketball, then the scene cuts to a rainy night at an ancient manor.”

“Use @image1, @image2, @image3 as reference material. A commercial camera showcase of a luxury handbag, highlighting all details with grand and majestic background score. Multiple angle references for side profile and surface material.”

“Use @image1 as reference material. Emotional reunion scene — a father walks wearily down the hallway after work, takes a deep breath at his front door, then enters to his daughter and pet dog running over joyfully.”

“Use @video1 as reference material. A Chinese opera female lead (huadan) performs on an exquisite stage, with camera work and transitions referencing the original video for ultimate stage aesthetics.”

“Use @image1, @image2, @video1 as reference material. A woman transforms into an angel with dramatic VFX — wings emerge from her back, sweeping past the camera for a transition. Continuous one-take through pupil zoom, aerial circling, and stone statue reveal.”

“Use @image1, @video1 as reference material. Black-and-white ink wash style Tai Chi sequence. The character references the effects and movements from the template video, performing a flowing ink wash martial arts performance.”

“Use @image1, @image2, @video1 as reference material. Fashion model rapid outfit changes with fisheye lens effect and ghosting flash visuals. Each outfit change accompanied by a camera cut, with playful, cool, and stylish poses.”

“Use @image1, @image2, @audio1 as reference material. Outfit-changing fashion video synchronized to the beat of reference audio. The girl keeps changing outfits with video rhythm matching the music track.”

“Use @image1 as reference material. A cat and dog host a roast-style talk show, lip-syncing to voice-over audio. Rich with emotion in stand-up comedy style, with the cat grooming and eye-rolling while the dog wags its tail.”

“Use @image1, @image2, @video1 as reference material. A woman walks to the mirror, contemplates her reflection, then suddenly breaks down screaming. The mirror-grabbing motion and emotional facial expressions fully reference the original performance.”

“Use @image1, @image2, @video1 as reference material. Imaginative commercial — a donkey performing motorcycle stunts across multiple scenes. Video extension with barn exit, sandy terrain spinning, and snow mountain jump with tagline reveal.”

“Use @image1, @image2, @image3 as reference material. A continuous one-take tracking shot following a runner from the street up stairs, through corridors, onto the rooftop, ending with a cityscape overlook.”

“Use @image1, @video1 as reference material. Suspenseful ocean scene — a great white shark slowly surfaces behind an unsuspecting swimmer with long red hair. Video editing transforms the original scene.”

“Use @image1, @video1 as reference material. Replace the female lead singer with a male singer. Movements fully imitate the original video, no cuts, the band performs music together.”

“Using the man from @image1 running through the corridor in @image2, fully replicate all camera movements and the protagonist's facial expressions from @video1. Camera tracks the protagonist running around the corner in @image2, then in the long hallway from @image3, shifts from a rear tracking angle through a low-angle orbit to face the protagonist. Camera pans right 90° to capture the forked intersection from @image4, stops abruptly then pans 180° for a tight close-up of the protagonist's face: gasping for breath. Camera follows his POV looking around, using the rapid left-right orbital movements from @video1 to showcase the scene, then pulls back to @image5 while continuing to track the protagonist running from the side.”

“The tablet from @image1 as the main subject, camera work referencing @video1. Push in to a close-up of the screen, the camera rotates as the tablet flips to reveal its full form. Data streams on the screen keep changing while the surrounding environment gradually transforms into a sci-fi data space.”

“Reference @image1 and @image2 for the spear-wielding character, @image3 and @image4 for the dual-blade character. Imitate the movements from @video1, fighting in the maple forest from @image5.”

“Use @image1 as reference material. Camera slowly pulls back to reveal the full street view while tracking the heroine. Wind brushes her skirt as she walks through a 19th-century London street, surrounded by period architecture, carriages, and pedestrians, then the camera settles into a gentle push-in as she turns back.”

“Use @image1 as reference material. Camera follows the man in black fleeing rapidly with a crowd chasing behind. A side-tracking shot captures the panicked figure knocking over roadside crates and objects while the camera keeps high-speed movement and slight handheld tension.”

“Reference all transitions and camera work from @video1, one continuous take. Starting with a chess game, camera moves left to reveal yellow sand on the floor, tilts up to a beach with footprints. A girl in a plain white dress walks away into the distance. Camera cuts to an aerial overhead view — waves washing the shore (no people visible). Seamless morph transition: the crashing waves transform into flowing curtains. Camera pulls back to reveal a close-up of the girl's face. All in one continuous take.”

“Use @image1 as reference material. 0-2s: Rapid four-panel flash cuts: red, pink, purple, and leopard-print bows frozen in sequence, close-ups of satin sheen and the 'chéri' brand text. Voiceover: 'Chéri 자석 리본으로 무궁무진한 아름다움을 연출해 보세요!' 3-6s: Close-up of the silver magnetic clasp clicking together, then gently pulled apart, showcasing silky texture and convenience. Voiceover: '단 1초 만에 잠그고, 최고의 스타일을 완성하세요!' 7-12s: Quick-cut wearing scenes: burgundy bow pinned to a coat collar, pink bow with a dress, purple bow on a ponytail, leopard-print bow for a party look. 12-15s: All four bows form a clean product grid with captions for magnetic fastening, lightweight wear, and versatile styling.”

“Use @image1 as the opening frame, first-person perspective, camera work referencing @video1. Upper scene references @image2, left scene references @image3, right scene references @image4.”

“Use @image1 as reference material. Fixed camera, the girl elegantly hangs laundry. After hanging one piece, she takes another from the basket and gives it a firm shake.”

“Replace the character in @video1 with @image1, which serves as the opening frame. The character puts on a sci-fi VR headset, referencing @video1's camera work with close orbital shots. The perspective shifts from third-person to the character's subjective POV, traveling through the AI virtual headset to arrive at the deep blue universe from @image2. Several spaceships zip toward the distance; the camera follows the ships into the pixel world from @image3, flying low over a pixelated mountain forest as trees grow into existence. Then the perspective tilts upward, rapidly traveling to the light green textured planet from @image4, the camera skimming across the planet's surface.”

“Use @image1, @image2, @image3, @video1 as reference material. Reference the ad concept from the video. Using the provided down jacket images, plus the goose down and swan images, pair with the following ad copy: 'This is goose down, this is a warm swan, this is a wearable polar velvet down jacket — stay warm for the New Year, live warm every day.' Generate a new down jacket commercial.”

“Starting from the ceiling of @image1, transition using the puzzle-shatter effect from @video1. Replace the 'BELIEVE' text with 'Seedance,' font referencing @image2.”

“Opening on a black screen, referencing the particle effects and material from @video1. Golden gilded sand particles drift from the left side of the frame and spread rightward, using the particle-scatter effect from @video1. The text from @image1 gradually appears at the center of the frame.”

“The character from @image1 references the movements and expression changes from @video1, performing an abstract depiction of eating instant noodles.”

“Animate @image1 as a comic strip reading left-to-right, top-to-bottom. Keep character dialogue consistent with the text in the image. Add special sound effects to scene transitions and key story moments. Overall style should be witty and humorous; animation style references @video1.”

“Reference the documentary storyboard from @image1 — its shot compositions, framing, camera movements, visuals, and copy — to create a 15-second healing-style opening about 'The Four Seasons of Childhood.'”

“Reference the audio from @video1. Using @image1, @image2, @image3, @image4, and @image5 as inspiration, create an emotionally-driven mood piece. Background music references @video1.”

“Use @image1 as reference material. The character in the painting has a guilty expression, eyes darting left and right, then peeks out of the frame. The character quickly reaches outside the painting, grabs a cola, takes a sip, and nervously slips back into the artwork while the picture frame and real tabletop remain naturally connected.”

“Fixed camera, central fisheye lens peering down through a circular opening. Reference the fisheye lens from @video1, have the horse from @video2 look up at the fisheye lens, reference the talking motion from @video1, and use the background music from @video3.”

“Based on the provided office building promotional photos, generate a 15-second cinematic documentary in realistic style, using 2.35:1 widescreen, 24fps, with refined visual quality. The narrator's voice references @video1. Film 'the ecosystem of the office building,' showcasing different businesses operating within, with narration explaining how the building becomes a vibrant commercial ecosystem.”

“Use @image1 as reference material. The Yu Opera classic 'The Case of Chen Shimei' accompaniment begins. Judge Bao in black on the left points at Chen Shimei in red on the right, singing through gritted teeth: 'Blade to sheath — with solid evidence, dare you not confess?' Chen Shimei's eyes dart nervously left and right, searching for an escape, his expression utterly distressed. Then, from off-screen comes a Yu Opera female role's spoken line: 'Hold on!' Bao and Chen Shimei both turn to look to the right of the frame.”

“Use @image1 as reference material. Generate a 15-second music video. Keywords: steady composition / gentle push-pull / low-angle heroic feel / documentary yet premium. Ultra-wide establishing shot, low camera with slight upward tilt, cliff dirt road and vintage travel van occupying the lower third of the frame. Distant ocean and horizon creating depth, sunset side-backlight volumetric rays cutting through dust particles, cinematic composition, authentic film grain, gentle breeze rustling clothing.”

“0-3s: Alarm clock rings, the scene appears hazy with the opening frame. 3-10s: Quick pan to a close-up of the man's face across the bed. He helplessly tries to wake the girl, his tone and voice referencing @video1. 10-12s: The girl pouts and hides under the covers. 12-15s: Cut to full shot of the man as he sighs and says: 'You're really impossible!'”

“The monkey from @image1 walks toward the milk tea shop counter, camera tracking behind him. A Bichon Frise server from @image2 is wiping tools at the bar. The monkey orders in a Sichuan accent: 'Hey miss, do you have Farewell My Concubine?' Cut to close-up. The server sets down her work, gives him a puzzled look and replies: 'No, how about an Americano?' Cut to the monkey. He scratches his head and mutters: 'It's fine...? No, it's not fine! My grandkid sent me to buy milk tea, something called Farewell My Concubine.'”

“In an educational documentary style and tone, narrate the content from @image1: the story of Sun Wukong traveling to Emerald Cloud Mountain to borrow the Banana Leaf Fan from Princess Iron Fan to cross the Flaming Mountains. Princess Iron Fan refuses and seeks revenge because Wukong previously subdued her son Red Boy, who was taken by Guanyin as a disciple, separating mother and son. Wukong's attempts at persuasion fail, and the two break into a quarrel.”

“Images from @image1, @image2, @image3, @image4, @image5, @image6, and @image7 are synced to the keyframe positions and overall rhythm from @video1. Characters in the scenes have more dynamic movement, the overall visual style is more dreamlike with strong visual tension. Scene framing of reference images may be adjusted based on music and visual needs, with added lighting and shadow variations.”

“Landscape scenes from @image1, @image2, @image3, @image4, @image5, and @image6, synced to the visual rhythm from @video1. Transitions between scenes match the visual style and music beat.”

“A range hood commercial. @image1 as the opening frame — a woman cooking elegantly with no smoke. Camera quickly pans right to capture the man from @image2, sweating profusely and red-faced while cooking amid thick billowing smoke. Camera pans left and pushes in to a range hood on @image1's countertop, hood design referencing @image4, vigorously extracting the smoke.”

“@image1 as the opening frame, camera rotates and pushes in. The character suddenly looks up, facial appearance referencing @image2, and begins roaring loudly with excitement and a touch of comedic flair, expression and demeanor referencing @image3. Then the character's body transforms into a bear, referencing @image4.”

“Extend @video1 by 15 seconds. 1-5s: Light and shadow slowly glide across the wooden table and cup through venetian blinds, tree branches sway with a gentle breathing-like motion. 6-10s: A coffee bean gently drifts down from the top of the frame, camera pushes in toward the bean until the screen fades to black. 11-15s: Text gradually appears — first line 'Lucky Coffee,' second line 'Breakfast,' third line 'AM 7:00-10:00.'”

“Use @video1 as reference material. Extend forward by 10 seconds. In warm afternoon light, the camera starts from the row of awnings gently lifted by the breeze at the street corner, slowly panning down to a few daisies poking out at the base of the wall. Then the protagonist's red skate shoes appear — he's crouching in front of a street flower stand, smiling as he gathers a big bunch of sunflowers into his arms, petals brushing against his white T-shirt. As he turns to step onto his skateboard, the flower vendor calls out with a laugh: 'Watch out for flying petals!' He waves at the vendor, then starts skating — a few golden petals have already escaped from the bouquet and landed on the skateboard deck.”

“Starting with @image1 as the opening frame, the view zooms out to the airplane window exterior. Clusters of clouds drift slowly into the frame, one cloud decorated with colorful candy sprinkles stays centered, then gradually transforms into the ice cream from @image2. Camera pulls back into the cabin — the person from @image3 sitting by the window reaches out to grab the ice cream, takes a bite, cream all over their mouth, face beaming with a sweet smile. Audio references @video1.”

“Spy thriller style. @image1 as the opening frame. Camera tracks from the front as a female spy in a red trench coat walks forward, full-shot tracking. Passersby continuously obscure the woman in red. She reaches a corner, building referencing @image2. Fixed camera as the woman exits the frame and disappears around the corner. A masked girl lurks at the corner, glaring menacingly — appearance references @image3 (appearance only), standing at the corner. Camera pans forward toward the red-coat spy as she enters a mansion and vanishes — mansion referencing @image4. No cuts throughout, one continuous take.”

“From the exterior scene of @image1, first-person POV with a fast push into the cabin interior close-up. A small deer from @image2 and a sheep from @image3 sit by the fireplace drinking tea and chatting. Camera pushes in for a close-up of the tea cup, style referencing @image4.”

“@image1, @image2, @image3, @image4, @image5 — a first-person one-take thrilling roller coaster shot, with the coaster accelerating faster and faster.”

“Subvert the entire plot of @video1.”

“Use @video1 as reference material. 0-3s: A man in a suit sits at a bar, composed, gently swirling his glass. Camera slowly pushes in, premium lighting, serious atmosphere. Low ambient sound as the suited man murmurs: 'This deal... is big.' 3-6s: The woman behind him asks nervously: 'How big?' The suited man looks up, lowers his voice: 'Very big.' Cut to a hand close-up as he sets the glass down, commanding presence at full. 6-9s: Suddenly the suited man pulls an absurdly oversized snack gift pack from under the table and slams it down with a thud. 9-12s: The woman and bartender freeze, the lighting flips into a bright commercial set, and the suited man pushes the snack pack toward camera with a deadpan advertising smile.”

“Camera pans right in @video1. The fried chicken vendor busily hands chicken to queuing customers, saying: 'Finishing his order, then yours — please line up in an orderly fashion.' He grabs a paper bag to pack the chicken. Close-up of the vendor holding the paper bag printed with @image1's design, close-up of the handoff to the customer.”